The preachers of Buddhism claim Gautama Buddha as the greatest amongst the mythological pantheon, an aspect highly magnified in one of the key forms of the art of India, the ‘Buddhist Art.’ The initial ‘Buddhist Art,’ found at Bharhut, Sanchi, and Bodh-Gaya, and Amaravati, bore no anthropomorphic depiction of Gautama Buddha. The ‘Buddha Image’ was instead ‘Symbolic’ at that time. Some of the key representative symbols were empty thrones, a standing woman, a pair of footprints, the Bodhi tree, or the Dharma-chakra that depicted his life.

Buddhism attained huge popularity in the early first century BC. Since the asceticism of the religion was beyond the understanding of the followers, an iconic image of Buddha transpired in Northern India and portrayed Buddha in human form, which still exists. Gandhara (now in Pakistan) and Mathura (in Central Northern India) were the primary centers for the production of the ‘Buddha Images.’ The ‘Gandharan’ image displayed Buddha in standing or sitting position, with wavy hair and well-draped shoulders, closely resembling the Greek God, ‘Apollo.’ The ‘Mathuran’ school, on the other hand, contributed to the lotus seat (depicting the importance of mediation and His enlightenment), sporting a standing Buddha, holding one hand high and wearing a robe, baring His right shoulder.

The ‘Buddhist Art’ in India continued to expand. The pink sand stone sculptures made during the Gupta period at Mathura are an exemplary of finesse and competent artisanship, with few dating back to even 81 AD. Some gold and copper currency coins of 78 AD carry the ‘Buddha Image’ on one side and Kanishka’s (the ruler then) on the other.

The historical ‘Buddha Images’ were depicted in five different positions, symbolizing the significant events of His life, such as birth, exit from home, enlightenment, first sermon, and death. The images are postured in four styles, standing, sitting, walking, and reclining with the position of hands conveying several connotations, such as:

Pacifying Relatives – Standing Buddha with right hand lifted to chest and the left one resting on the side

Calming the ocean – Standing Buddha with both hands raised up to chest

Subduing Mara – Crossed legged, seated Buddha, with his right hand on the right knee, pointing four fingers to the ground, while the left hand rests on His lap

Some fascinating details to be taken into account while creating the ‘Buddha Image,’ are the pre-defined measurements for physical proportion such as the exaggerated earlobes, and the “enlightenment-elevation” on the top of the head. Apart from the historical ‘Buddha Images,’ various other forms such as “Laughing Buddha” and “Medicine Buddha” are available in a variety of materials, such as sand stone, clay, gold etc. A renowned Buddhist follower once stated that “A Buddha image is not only a symbol of the historical person but the human qualities that he perfected; compassion, wisdom, patience, generosity, kindness, etc., worthy of bowing down to.”

Take a look around any Province in Thailand and you will inevitably find a vast array of art and craft work. At first glance you may not think that there is any connection between the shapes and designs used in the carvings, silverware, ceramics, silks and paintings, but if you look a little closer, you will soon discover that the whole cultural history of Thailand is laid out before your very eyes.

Although Thai culture has had many influences including those from countries such as India and China, the real roots of Thailand’s art history are deeply imbedded in Buddhism. Thai-Buddhist’s strive for harmony and serenity, and this is clearly represented throughout their artwork. Stemming back thousands of years, Thailand’s traditional art began when Buddhism first reached the country. Its followers decorated the walls and ceilings of the monasteries and temples (wats) with murals depicting Buddhist customs and rituals together with scenes from their everyday life.

The Thai-Buddhist style incorporates many symbols and patterns that have special religious significance. However, unlike other Buddhist imagery, Thai-Buddhist art is pared down to its simplest form to ensure that it does not to detract from the Buddhist message. Here, perspective is not important, as the figures depicted are shown larger or smaller, depending upon their status. The end result is a highly stylized yet effortless form of narrative. Examples of which can still be found on the walls and ceilings of wats throughout Thailand today, and in particular in Wat Suthat in Bangkok and Wat Suwannaram in Thon Buri.

Together with imagery of the Buddha, Thai art also includes representations of monks, as well as demons or Kinnaras and Kinnarees (beings that are half human and half bird) and other mythical creatures. Throughout, intricate patterns are used as decoration and often incorporate symbols and motifs that are found in nature such as the lotus flower, the orchid, butterflies, birds and rice.

Buddhism venerates tradition and respect for the past as well as the future. Therefore, alongside Buddhist teachings, the traditional skills and expertise used to create such intricate works of art were passed down through the generations. These skills are evident in the silverware, ceramics, carvings, silks and paintings that are available today.

One such example is found in the geometrically decorated, hand painted bone china, Benjarong. Legend has it that this highly ornamented form of pottery was introduced to Thailand by a Chinese princess who married into the Thai Royal family sometime during China’s Ming dynasty (1368 – 1644). Meaning ”five colors”, Benjarong was traditionally painted in the five colors: red, white, green, yellow and blue. However, today Benjarong is decorated using a more elaborate palate, which also includes 18 carat gold.

Today, the popularity of much of Thailand’s art and craft is growing thanks to the Western world’s love of contemporary interior design. The contemporary style favors clean lines and a sleek look that has strong echoes in Buddhist philosophy. The simple, graceful shapes and delicate patterns found in Thai art and craft are timeless, therefore traditional Thai designs have managed to find a niche within a contemporary market. Thai art and craft is therefore unique, as in no other time has traditional, cultural designs been able to work in harmony within another design style.